Tony Williams' death in 1997 of a heart attack after routine gall bladder surgery was a major shock to the jazz world. Just 51, Williams (who could be a very loud drummer) seemed so youthful, healthy, and ageless even though he had been a major drummer for nearly 35 years. The open style that he created while with the Miles Davis Quintet in the mid- to late '60s remains quite influential, and he had a long list of accomplishments during the decades that followed. Williams' father, a saxophonist, took his son out to clubs that gave him an opportunity to sit in; at 11, the youngster already showed potential. He took lessons from Alan Dawson, and at 15 was appearing at Boston-area jam sessions. During 1959-1960, Williams often played with Sam Rivers, and in December 1962 (when he was barely 17), the drummer moved to New York and played regularly with Jackie McLean. Within a few months he joined Miles Davis, where his ability to imply the beat while playing quite freely influenced and inspired the other musicians; together with Herbie Hancock and Ron Carter he was part of one of the great rhythm sections. Williams, who was 18 when he appeared on Eric Dolphy's classic Out to Lunch album, stayed with Davis into 1969, leading his own occasional sessions and becoming a household name in the jazz world.

In addition to his interest in avant-garde jazz, Tony Williams was a fan of rock music, and when he left Miles he formed the fusion band Lifetime, a trio with Larry Young and John McLaughlin. After leading other versions of Lifetime (one of them starring Allan Holdsworth), Williams stuck to freelancing for a time, studied composition, and toured with Herbie Hancock's V.S.O.P. band. By the mid-'80s, he was heading his own all-star hard bop group which featured Wallace Roney as a surrogate Miles Davis and a repertoire dominated by the drummer's originals (including the standard "Sister Cheryl"). After breaking up his longtime quintet in 1995, Williams gigged a bit with a trio, recorded a very interesting set of original music for the Ark 21 label, and seemed to have a limitless future. His premature death makes one grateful that he started his career early and that he was extensively documented.
Source: Scott Yanow





NB Les albums ci-dessous sont uniquement ceux que je possède. Il ne s'agit donc pas d'une discographie complète.


1964 Out To Lunch

Avec Eric Dolphy (flute, alto sax, bass clarinet), Freddy Hubbard (trumpet) et Richard Davis (bass), Tony Williams joue télépathiquement et merveilleusement sur ce disque pas tout à fait l'avant-garde mais presque.

YY 1977 The Great Jazz trio Live at the Village Vanguard

Concert de 1977 avec Hank Jones et Ron Carter durant lequel Tony Williams est exceptionnel. Son solo sur Moose the Mooch est remarquable.

YY 1968 Filles du Kilimanjaro

La même formation que sur Sorcerer

YY 1958


Circle In the Round

Tony joue sur le disque 2, le premier étant une compilation d'enregistrements de 1958.

YY 1967 Sorcerer

La nouvelle formation de Miles Davis avec Wayne Shorter, Herbie Hancock, Ron Carter et Tony Williams


YY 1965 ESP

Même formation que sur sur Sorcerer

YY 1967 Nefertiti

Même formation que sur sur Sorcerer


  Tony Williams videos   
  You tube   -   Daily Motion  -  Drummerworld


 © The author of this web page intends this educational site as a fitting tribute to the music of  jazz musicians and  creators, as well as a respectful tribute to their works and creations. The author of this web page receives no compensation or profit from this page whatsoever, either directly or indirectly. You are encouraged to buy the records and the music, to fully appreciate the masterpieces presented on this website. All images, sounds, and video clips  remain the property of  the copyright holders.         


    Patrick@café   |   Talk of the Town     |    Home    |    Pat 76